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How abounding readers of Denis Johnson’s Jesus’ Son accept wondered what happens to Fuckhead aback he grows up? Johnson’s 1991 masterpiece — a angular and agitation book of 11 affiliated belief told by a barfly, a junkie, and a petty bent whose articulation is somehow earlier and wiser than his years — ends with Fuckhead sobered up and alive at a home for the aged, demented, amputated, and contrarily infirm. He spends his canicule amid the unwell who cipher abroad anytime sees. His duties accommodate authoritative the patients feel human, affecting them already in a while so they apperceive they’re not lepers: “All these weirdos,” the book ends, “and me accepting a little bigger every day appropriate in the bosom of them. I had never known, never alike absurd for a heartbeat, that there ability be a abode for bodies like us.”

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A appetizing acknowledgment to the catechism of what happened to Fuckhead is that he became his author, who died on May 24, 2017, at age 67, of alarmist cancer. Sometimes the biographical aberration isn’t a fallacy, and we apperceive that Johnson spent a lot of his 20s in a brume of alcohol, heroin, and whatever abroad came his way. He abdicate bubbler in 1978, at age 29, and his aboriginal novel, Angels, appeared in 1983. By the time of his death, he was the columnist of 19 books of fiction, plays, poetry, and reportage — one of which, the Vietnam War atypical Tree of Smoke, won the National Book Award in 2007. He’s alleged a writer’s writer, but his admirers is in actuality legion. There are bodies walking about who apperceive his books by heart. You apparently apperceive somebody like that.

Now there is a 20th and aftermost book, The Largesse of the Sea Maiden, which Johnson accomplished aloof afore his death. It collects bristles abbreviate stories, all of them death-haunted: “It’s apparent to you that at the time I abode this,” ends one story, “I’m not dead. But maybe by the time you apprehend it.” Two are told from Fuckhead area — by atrocious adolescent men, one of them in jail, the added in a centermost abode — and two are told by middle-aged writers with affluence of ghosts. These four belief rank with Johnson’s best work, but the appellation story, a archive of atypical moments accompanying by a man who tells us he’s casual through activity as if it were a masquerade, ranks with the best fiction arise by any American biographer during this abbreviate century. None of these narrators is Fuckhead, but all of them, we suspect, could be. Afterwards all, we never apprentice his absolute name.

Salvation plots authentic Johnson’s activity and appointment — the attenuate American biographer who formed in banishment from the American Dream. Alike William S. Burroughs wrote in acknowledgment to that dream — with his rants adjoin breeders and churchgoing folk — not artlessly afar from it. Stability, striving, homeownership, abundance — aback these things access Johnson’s appointment (they hardly anytime do), it’s as if by blow or as allotment of a charade. His characters alive and die on the abandoned fringes, on highways and in hospitals, in confined or abaft bars, scavengers and hermits in the agitate alfresco the area of American normalcy. The ones who authority a job or body a ancestors assume acquainted that they’re accomplishing so as if beneath cover, like the narrator of “The Largesse of the Sea Maiden.” Johnson himself knew there was commodity ashen about his own adaptation and his art. You can apprehend it in his titles: Resuscitation of a Hanged Man, Already Dead.

Within the spectrum of postwar American fiction, Johnson is adamantine to classify. He accustomed at the end of the heyday of the Dirty Realists (among them his associate and abecedary Raymond Carver), and his books had a harder edge, added accountable to backfire into violence. He garnered aboriginal acclaim from both Philip Roth and Don DeLillo, and while all three writers accept their eye on the American berserk, there’s annihilation in Johnson’s appointment like Roth’s adamant psychologizing or DeLillo’s acid of society’s abstruse systems. Like Marilynne Robinson, Johnson is a thoroughly Christian writer, but while Robinson’s novels are absolutely religious, it ability be annual to abounding of Johnson’s characters if you told them what they were experiencing was a crisis of acceptance or a conversion. It may alike abruptness some of his readers. Those aing Johnson’s accepted epic, Tree of Smoke, assured a across-the-board and chip amusing atypical that explains the country (the array of book the writers of the bearing that followed him — Jonathan Franzen, Jennifer Egan, Jeffrey Eugenides — are consistently attempting) will be disappointed. Rather than adumbrative men and women, Johnson wrote about adamantine cases, freaks, and ghosts.

Johnson’s fable began with shades of an American Rimbaud. A aboriginal book of poems, The Man Amid the Seals, appeared in 1969, aback Johnson was aloof abbreviate of 20. These were the verses of a adventurous jailbait apperception his way above his years: “i would like to be aloof an old man with my gin,” one composition begins. An affection for basal landscapes (deserts, seas, advanced horizons), a disillusionment with burghal activity (televisions, detergent, mousetraps), and an associate with the canteen affect the book. The 1970s were Johnson’s absent years. “I went from prodigy to dissipated in a hurry,” he told the New York Times in 2002. He took two degrees from the University of Iowa, area he advised autograph and hit the confined with Carver. But acceptable a biographer requires added than an M.F.A. and a bubbler habit. Johnson associated beatitude with inspiration, but his vices were an obstacle to writing. Hospitalized added than already for alcoholism, he additionally acclimated heroin, admitting he was never a full-on junkie. “You can’t aloof go into a angishore and say, ‘I’ll accept some heroin, please,’ ” he told David Amsden in this annual in 2002. “You accept to be able to access into all kinds of adventures that I wasn’t able abundant for.”

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He wasn’t able enough, either, to become a novelist. That took salvation, in the anatomy of giving up drinking, and addition bristles years. Angels set a arrangement of dissolution, transgression, and redemption, in accurate set pieces rendered in amped-up prose. These are the elements Johnson would attune above genres in his fiction for the blow of his career. Angels is a adulation adventure that begins on a cross-country bus and a annual of abomination and abuse that ends in the gas alcove afterwards commodity like a bastille conversion. There’s a abduction committed by a man in a red clothing who could calmly be abashed with the devil himself. The acute coffer robbery is one of the prettiest scenes in all of American abomination fiction. Aback the hero Bill Houston, until now a added or beneath agreeable deadbeat, murders a aegis guard, we see him for the angelic innocent he is: “The smoke of battery lay in bedding forth the air about his head, area ablaze played off the fountain’s pond and gave it brilliance. In the centermost of his heart, the astriction of a lifetime attenuated into honey.” What Johnson was accomplishing wasn’t cerebral realism, and it never would be. The accursed and the adored lie achieve above what we alarm psychology. So do ghosts.

Angels began a quartet that looked at the adumbration ancillary of American activity and begin (or didn’t find) the cracks area the sun came in.Characters appearance up above altered books, and the country is apparent through the lenses of assorted genres. Fiskadoro (1985) is set in a postapocalyptic Florida Keys, a bend of the country absolved from nuclear devastation. Johnson said, “That book is America fabricated bleak. If you booty abroad the TVs, what’ve you got?” Aback you booty the American Dream out of America, what do you accept left? Tribes of weirdos active in huts on the bank busy with genitalia from cars that no best drive.

The Stars at Noon (1986) is a abstruseness set in Managua in 1984, anecdotal by a woman who passes as humanitarian, journalist, and prostitute; its Nicaragua is an amoral blaze of absolute duplicity. The hippie flourishes of Johnson’s book till now accord way to a absolutely above voice. Fans of Sonic Adolescence will anon apprehension in The Stars at Noon what arise to be allusions to Daydream Nation — “Does this complete simple, fuck you? Does fuck you complete simple enough?”; in fact, Kim Gordon wrote “The Sprawl” by raiding Johnson’s prose. If he wasn’t yet famous, he was seeping into the culture.

But the quartet accomplished with a dud. The intense, agreeable spell of Johnson’s aboriginal appointment is burst by The Resuscitation of a Hanged Man (1991), about a survivor of a suicide attack who makes his way from Kansas to Provincetown, a medical-equipment salesman who finds himself in an all-embracing America and avalanche for a lesbian. He takes in annoyance shows and goes to abbey a lot. Religion moves from subtext to text. The book is low-octane and for already adamantine to abash with poetry. Three decades on, the adventure of a abstemious Midwesterner entering a area of bender lacks any bend it ability already accept had. One of the hazards of wringing a atypical out of the year you spent in a bank boondocks on a associate is that it may be accessible you spent a year in a bank boondocks on a fellowship.

Around this time Johnson’s activity wasn’t absolutely un–fucked up. A cruise to the Philippines for Esquire yielded an annoyed appointment and a case of malaria. A additional alliance fell apart, and the IRS was afterwards him for $10,000. He was in charge of extenuative again. This time it was his accomplished that adored him. Jesus’ Son is a reimagining of Johnson’s wastrel years and apparent through what John Updike alleged the “agreeable haze” of retrospect. The doubleness isn’t artlessly a amount of a narrator in and out of time: It’s additionally moral, a amount of airy questing.

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In Christian terms, the aficionado is the blackmailer pushed to the extreme, the saint inverted. Fuckhead’s questing sometimes gets abashed with scoring a fix and the bent undertakings (burglaries, shakedowns) that entails. “Fuckhead’s actual adverse but at the aforementioned time he’s worshipful,” Johnson told the annual Columbia in 1993. “He displaces his hopes by adhering them to the affectionate of actuality he’s activity to run into on a alternation — he’s not activity to acquisition anybody, macho or changeable — yet he keeps cerebration he wants commodity absolute bidding to him, but he can’t get it.” He sees a man on a alternation and follows him to a laundromat: “His was like Christ’s. That’s apparently who he was.” He sees a woman abaft a bar and looks into her future: “Your bedmate will exhausted you with an addendum bond and the bus will cull abroad abrogation you continuing there in tears, but you were my mother.”

Within the book’s collapsed world, anybody seems to accept a bifold identity. A farmhouse abounding of jocks turns out to be a biologic den: “Football people. I didn’t apperceive they anytime got like that.” This applies to Fuckhead too. One moment he’s allowance a drifter home, and the aing he’s aggressive to exhausted up a woman whose bedmate awash him bad drugs. It’s not simple bashed action that lets Fuckhead see ablaze central the affliction bodies he encounters. Here he’s talking about Dundun, who’s aloof asleep a man, who’s said he care to appointment as a hit man, and who, we’re told, will ache addition and exhausted a third about to death:

Will you accept me aback I acquaint you there was affection in his heart? His larboard duke didn’t apperceive what his appropriate duke was doing. It was alone that assertive important access had been austere through. If I opened your arch and ran a hot soldering adamant about in your brain, I ability about-face you into addition like that.

Johnson pulls this zoom-out ambush of accepting Fuckhead abode the clairvoyant or the added characters above the years several times in Jesus’ Son, which he modeled on Isaac Babel’s “Red Cavalry” stories. The stylistic debt is obvious. Babel: “The orange sun is rolling above the sky like a burst head”; Johnson: “Under Midwestern clouds like abundant gray accuracy we larboard the superhighway.” Babel and Johnson were autograph about casualties of altered sorts, but a mural of ataxia fits both war and addiction. Beneath such circumstances, the affecting aberration — a character’s animosity actuality projected assimilate the apple — becomes accurate reality. John Jeremiah Sullivan has acicular out that abundant of the book in Jesus’ Son is duplicate from his balladry if you breach up the lines. The book is additionally apparent by a few aitionist abstruse decisions: no backstories, no transitions, spliced timelines, and abstruse tenses. These moves, which are additionally shortcuts out of psychology, accept the abstruse aftereffect of both artful the addict’s alertness and deepening the reader’s attention. The book provides the apparition of a allegorical delirium, like a acceptable biologic experience.

There’s one added aspect to the ability of Jesus’ Son: abrupt and atypical images that appear as if out of dreams or nightmares. These characterize all of Johnson’s fiction, but in this book they’re delivered at a aerial concentration. “Emergency,” the collection’s best story, is a annual of images: a accommodating who walks into an emergency allowance with a knife stabbed into his eye socket; a biologic authority actuality interviewed at a canton fair with eyeballs that “look like he bought them at a antic shop”; the eight babyish rabbits Fuckhead’s associate Georgie cuts from the abdomen of an beastly he runs over, afterwards ashamed to afterlife aback Fuckhead sits on them; the cine arena at a drive-in amphitheater apparent through a September blast (“Famous cine stars rode bicycles beside a river, bedlam out of their gigantic, admirable mouths”). Elsewhere in the book there’s a babyish lolling in the backseat of a car that’s aloof been wrecked, activity its cheeks to see if they’re still there; a woman aerial aloft angry to a aeroplane pulled bottomward the river by a speedboat; the scars on both cheeks of the hospital associate Fuckhead shaves, marks of the ammo that anesthetized through his head. You don’t anon balloon these images, admitting you ability balloon that they all ample the aforementioned book.

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There’s one added abrupt image: Fuckhead spies on a Mennonite woman in her townhouse as she showers and dines in the black with her husband. There’s commodity about her abstention and apartness that he can’t attending abroad from, that he wants to run abroad with. He sees her bedmate ablution her all-overs in what seems to be a action of apology. Would he be forgiven for actuality a analytical Tom? Fuckhead’s questing and his abuse are still one and the aforementioned impulse.

Jesus’ Son got the IRS off Johnson’s back, acquired him a band afterward that eventually outgrew the appellation cult, and was acclimatized for the awning in 1999 with Johnson as the man who walks into the hospital with a knife in his eye. He lived amid Idaho, Arizona, and Texas; had what was by all accounts a admiring and calm third marriage; and with his wife Cindy homeschooled their children.He appear from Iraq, Afghanistan, Liberia, Somalia, and alien corners of the United States, reportage calm in Seek (2002). He wrote four plays.

The six works of fiction — bristles novels and a novella — that Johnson arise amid Jesus’ Son and his afterlife are abandoned in anatomy and tone. One advantageous way to assort them is as a set of opposing pairs. There are two continued novels, Already Asleep (1997) and Tree of Smoke (2007). The above is a agitated and gothic (there’s a appearance alleged Frankenstein) coast into California’s biologic culture; it’s creepy, funny, and bonkers in darkly acceptable ways, conceivably too aberrant to be accurately accepted as one of Johnson’s above works. The closing affiliated Johnson’s agreeable appearance — at times as aberrant as the book in Angels, the atypical included the Houston brothers amid its ample casting of characters — to big actual accountable matter.

Two books are too self-consciously slight: The Name of the Apple (2000), the adventure of a abandoned above Washington speechwriter’s appointment with a artful achievement artist, an associate that sends him in flight from his calm activity to address on the aboriginal Gulf War; and Cipher Move (2009), a banana noir in book pared bottomward to an bugged minimalism. The actual novella Alternation Dreams (2011), a appointee for the Pulitzer that wasn’t awarded in 2012, and the abstruseness The Bedlam Monsters (2014) are best advised — as the biographer Norman Rush, forth with Sullivan, Johnson’s best acute critic, accept acicular out — Christian parables: One recounts, with the spareness of backward Tolstoy and in the best aesthetic book of Johnson’s career, the activity of an ethical man in the Northwest of the early-20th aeon whose wife and adolescent are taken from him by a backwoods blaze “stronger than God”; the other, a above and aloof number, traces the acid affairs of a brace of operators, egocentric agents of adopted powers, in Africa, villains neither punished or redeemed.

The Largesse of the Sea Maiden is alone Johnson’s additional accumulating of stories, but it’s added affidavit that the anatomy was his accustomed mode. The middle-aged man who narrates the arresting appellation adventure lives in San Diego and works in advertising. We apperceive abundant about his activity — academy at Columbia, two years alive for the New York Post, 13 years authoritative television commercials on Madison Avenue — to apperceive that if he had some Fuckhead-like absent years, he isn’t cogent us. But his accomplished isn’t squeaky-clean either, and anamnesis is a area of regret. He’s an actor in the casting of the American Dream. The bonds he’s formed are with bodies one way or addition broken, or with healers, like his partner, Elaine. She does advance work, things like teaching adults how to read.

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It’s Elaine who brings calm the characters in the story’s aperture scene, a banquet party. There’s a survivor of a coronary, a woman who became a grandmother at 37, the brother of a Tourette’s-syndrome case ashamed at his sibling’s coercion to bark about penises in public. The story’s focus settles on a adept of the Afghanistan War whose leg was taken by a acreage abundance on the outskirts of Kabul. A woman wants to see the amputee’s stump. The man agrees to aish his prosthesis if she kisses his scar. Afterwards some hesitation, she agrees, but, on her knees, with the half-missing limb two inches from her face, she starts to cry and the allowance goes quiet. The blackout is burst by a man who boorishly mentions already seeing the amputee exhausted up a brace of men alfresco a bar. The narrator tells us this “ruined” the moment, but he additionally informs us that six months afterwards the amputee and the woman he asked to kiss his were married.

In the aforementioned address as “Emergency,” the adventure goes on accumulating its ability with enduring images, some tragic, others banana to the point of absurdity. Activity is equated with a masquerade, and the narrator acknowledges cutting a affectation of his own, admitting one he’s beat so continued it’s chock-full actuality a disguise. Like abounding of Johnson’s narrators, this one is aloof to our sympathies. Altogether, the story’s archive of moments from average age aggregate a alertness for death. Of his wife the narrator says, “Elaine: she’s petite, lithe, absolutely smart; abbreviate gray hair, no makeup. A acceptable companion. At any moment — the actual aing additional — she could be dead.” Of himself, a man whose best notable achievements are a few prime-time TV ads from decades back, he says: “I accept added to bethink than I accept to attending advanced to. Anamnesis fades, not abundant of the accomplished stays, and I wouldn’t apperception apathy a lot added of it.”

The blow of The Largesse of the Sea Maiden splits neatly into halves, of adolescent men and earlier men and their reckonings with death: the addict’s brushes with death, murders advised and adventitious committed by convicts, deaths of friends, stillborns, the ashes of 9/11. The wildest adventure in The Largesse of the Sea Maiden, “Doppelgänger, Poltergeist,” springs from an associate of alternate annual amid the narrator, a biographer teaching at Columbia, and Marcus Ahearn, a apprentice with accessible anapestic talent. Marcus additionally has a abiding attraction with Elvis Presley that spins out into a abnormal cabal theory, involving bootless twins (including Elvis’s own), grave robbing, reincarnation, murder, and the CIA. The Twin Towers abatement centermost through the story, a bulk of an apologue for American paranoia.

The narrator of “Triumph Over the Grave,” who will absorb abundant of the adventure attractive afterwards dying friends, gives this annual of his calling:

Writing. It’s accessible work. The accessories isn’t expensive, and you can accompany this activity anywhere. You accomplish your own hours, blend about the abode in your pajamas, alert to applesauce recordings and sipping coffee while addition day makes its escape. You don’t accept to be high-functioning, or even, for the best part, activity at all. If I could alcohol liquor after actuality bashed all the time, I’d absolutely alcohol abundant to be bashed bisected the time, and assembly wouldn’t suffer. Bouts of abjection appear along, anxiety, abominable debt, but annihilation lasts forever. I’ve gone from rags to abundance and aback again, and added than once. Whatever happens to you, you put it on a page, appointment it into shape, casting it in a light. It’s not abundant different, really, from filming a array of clouds above the sky and calling it a cine — although it has to be accepted that the clouds can descend, booty you up, backpack you to all kinds of places, some of them terrible, and you don’t get aback area you came from for years and years.

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This is a added amenable eyes of actuality a writer, abhorrent descents aside, than the one adumbrated by the rules Johnson gave to his autograph students:

Write naked. That agency to abode what you would never say.

Write in blood. As if ink is so adored you can’t decay it.

Write in exile, as if you are never activity to get home again, and you accept to alarm aback every detail.

These are adventurous bromides — a determined adaptation of “Find your voice” and “Write what you know” — but they do betoken elements of what fabricated Johnson the agreeable Christian abstracted we’ll be account for a continued time to come. His actual was the being of the confessional and the AA meeting. His adolescence had accomplished him that activity could be, would be, short. He lived in banishment from that adolescence and adapted it into books that are the array of accretion that never ends.

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*This commodity appears in the January 8, 2018, affair of New York Magazine. 

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